{"id":145157,"date":"2024-09-11T06:00:00","date_gmt":"2024-09-11T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=145157"},"modified":"2024-09-06T15:57:44","modified_gmt":"2024-09-06T22:57:44","slug":"review-all-my-friends-aoife-odonovan","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/review-all-my-friends-aoife-odonovan\/","title":{"rendered":"With \u2018All My Friends,\u2019 Aoife O\u2019Donovan Composes a Soulful History Lesson and Call to Action on Women\u2019s Rights"},"content":{"rendered":"\n<p>When the Orlando Philharmonic Orchestra in Central Florida asked Aoife O\u2019Donovan to write five songs commemorating the centennial of the 19th Amendment, she sent sketches to orchestrator Tanner Porter and decided to draw on speeches and letters by activist Carrie Chapman Catt, whose work helped make it possible for women to finally gain the right to vote in 1920. A second commission from the <a href=\"https:\/\/freshgrassfoundation.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">FreshGrass Foundation<\/a> gave O\u2019Donovan the resources to record more songs and pay for sessions all around the country\u2014in Nashville, Los Angeles, Pasadena, Brooklyn, Manhattan, and Berkeley, as well as Central Florida, Vermont, and Massachusetts. The result is <em><a href=\"https:\/\/amzn.to\/3VTz332\">All My Friends<\/a>,<\/em> a genre-blurring album with nine songs that skillfully alternate between orchestral movements and quiet passages, blending folk\/Americana and orchestral flavors for a potent mix that feels supremely relevant as the U.S. heads toward another fiercely divisive presidential election.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/3VTz332\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=1024%2C1024&#038;ssl=1\" alt=\"Aoife ODonovan All My Friends album cover\" class=\"wp-image-145160\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife-ODonovan-All-My-Friends-album-cover.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Aoife O\u2019Donovan, <\/em><a href=\"https:\/\/amzn.to\/3VTz332\">All My Friends<\/a><em> (Yep Roc)<\/em><\/figcaption><\/figure>\n\n\n\n<p>Given the current political climate, an album about suffrage and women\u2019s rights could easily be, well, bleak. Instead, <em>All My Friends <\/em>is a gorgeous, exquisitely paced meditation that doubles as a call to action. The musicianship is uniformly excellent, too. On songs like \u201cSomeone to Follow\u201d and \u201cThe Right Time,\u201d the album gets its Americana flavor from contributions by O\u2019Donovan touring compadres Alan Hampton (bass) and Griffin Goldsmith (drums), plus Rob Burger (accordion and keyboard), Noam Pikelny (banjo), Jim Fitting (harmonica), and Luke Reynolds (pedal steel). The young women of the San Francisco Girls Chorus, headed by Val\u00e9rie Sainte-Agathe, bring their A game to songs like \u201cAll My Friends,\u201d \u201cDaughters,\u201d and \u201cAmerica, Come.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Aoife O&#039;Donovan - Someone To Follow [Official Music Video]\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/QKOc0KGlX7Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Two of the many highlights are Ana\u00efs Mitchell\u2019s vocals on \u201cOver the Finish Line\u201d and Sierra Hull\u2019s mandolin solos on \u201cCrisis.\u201d The 30-something-strong Knights chamber orchestra, led by Colin Jacobsen and Eric Jacobsen (who\u2019s also O\u2019Donovan\u2019s husband and the music director of the Orlando Phil), turns in masterful performances; the New York-based Westerlies brass quartet contributes arrangements, swagger, and subtlety. Thanks to beautiful arrangements and a top-notch mix by Darren Schneider, O\u2019Donovan\u2019s singular voice and her guitar playing\u2014on her <a href=\"https:\/\/reverb.grsm.io\/ag?query=1934%20Martin%200-17\">1934 Martin 0-17<\/a> and Collings 01 Mh\u2014remain the focal points. Despite the wide variety of textures, one gets the impression that these songs, which range from sweeping (\u201cCrisis\u201d) to intimate (\u201cOver the Finish Line\u201d), will sound great onstage in any configuration.<\/p>\n\n\n\n<p>Throughout, O\u2019Donovan invites us to sit with the weight of history while immersing us in music that is soulful, and at times even playful (dig that fresh take on Bob Dylan\u2019s classic downer \u201cThe Lonesome Death of Hattie Carroll,\u201d arranged by Gabriel Kahane). The lively intergenerational conversation between Catt, O\u2019Donovan, and the next generation is rooted and optimistic, and especially on songs like the surging \u201cAmerica, Come,\u201d taken from Catt speeches in 1917 and 1918, the overall effect is more thrillingly uplifting than one might expect. In these tumultuous times, <em>All My Friends<\/em> is a powerful masterclass in revisiting the past with an eye on the future. <\/p>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-348-sep-oct-2024\" name=\"magazine\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/001_348_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 348\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-348-sep-oct-2024\">September\/October 2024<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;All My Friends&#8217; alternates between orchestral movements and quiet passages, blending folk\/Americana and orchestral flavors for a potent mix.<\/p>\n","protected":false},"author":5,"featured_media":145159,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"'All My Friends' alternates between orchestral movements and quiet passages, blending folk\/Americana and orchestral flavors for a potent mix.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[885],"tags":[1951],"ppma_author":[1561],"class_list":["post-145157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-september-october-2024"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/Aoife_O_Donovan_c_Sasha_Israel_4B5A8021_web_1.jpg?fit=1200%2C800&ssl=1","authors":[{"term_id":1561,"user_id":0,"is_guest":1,"slug":"e-e-bradman","display_name":"E.E. Bradman","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/E.E.-Bradman-2020-scaled.jpeg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/E.E.-Bradman-2020-scaled.jpeg"},"user_url":"https:\/\/eltonsounds.com\/bass\/","last_name":"","first_name":"","job_title":"","description":"E.E. Bradman is a word nerd and music journalist, a Grammy-nominated bassist, a musical midwife for childbirth and the dying, and an award-winning sound designer\/composer."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=145157"}],"version-history":[{"count":4,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145157\/revisions"}],"predecessor-version":[{"id":145900,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145157\/revisions\/145900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/145159"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=145157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=145157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=145157"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=145157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}