{"id":142540,"date":"2023-11-06T09:58:46","date_gmt":"2023-11-06T17:58:46","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=142540"},"modified":"2023-11-06T09:58:51","modified_gmt":"2023-11-06T17:58:51","slug":"review-the-blue-album-by-spanish-virtuoso-pablo-sainz-villegas-is-an-intriguing-often-meditative-sonic-journey","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/review-the-blue-album-by-spanish-virtuoso-pablo-sainz-villegas-is-an-intriguing-often-meditative-sonic-journey\/","title":{"rendered":"Review: \u2018The Blue Album\u2019 by Spanish Virtuoso Pablo S\u00e1inz-Villegas Is an Intriguing, Often Meditative Sonic Journey"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/amzn.to\/3QKCaci\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-The-Blue-Album.jpg?resize=600%2C600&#038;ssl=1\" alt=\"Pablo S\u00e1inz-Villegas, The Blue Album (Sony Classical)\" class=\"wp-image-142543\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-The-Blue-Album.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-The-Blue-Album.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-The-Blue-Album.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-The-Blue-Album.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Pablo S\u00e1inz-Villegas, <em>The Blue Album<\/em> (Sony Classical)<\/figcaption><\/figure>\n\n\n\n<p>Pablo S\u00e1inz-Villegas has ascended to the upper echelon of successful classical guitarists through a combination of his extraordinary skill as a player, his warm and inviting stage persona, and by focusing on a broad but always accessible repertoire that spans the Baroque era to the present day. You\u2019re not going to hear angular and dissonant modern works from him. You <em>will<\/em> hear a lot of familiar classics\u2014he is, after all, probably the most popular contemporary interpreter of Joaqu\u00edn Rodrigo\u2019s much-adored <em>Concierto de Aranjuez<\/em>\u2014but also many engaging, lesser-known pieces that are strong on melody or rhythmically or harmonically interesting (or all three).<\/p>\n\n\n\n<p>His latest album could be considered a \u201cmixed recital,\u201d as guitar albums that feature numerous styles and eras are often labeled, but in fact there is a thematic link to the 14 pieces that is revealed in the title, <em><a href=\"https:\/\/amzn.to\/3QKCaci\" target=\"_blank\" rel=\"noreferrer noopener\">The Blue Album<\/a><\/em>. In this case, the \u201cblue\u201d is an intangible but consistent mood that permeates and curiously unites the short works. S\u00e1inz-Villegas says that \u201cblue stands for a particularly intimate mood.\u201d\u00a0<\/p>\n\n\n\n<p>Listeners will have their own opinions of what that mood means to them\u2014for me, the pieces share a serene, mysterious, contemplative quality that I find both compelling and pleasantly mind-opening. The tempos are almost all relaxed and unhurried, yet there is never a moment of sameness because there is such a wide variety of styles among the pieces, and exquisite melodies reign supreme. Perhaps needless to say, the playing by the Spanish virtuoso (performed on a 2007 Matthias Dammann guitar) is both technically superb and emotionally satisfying.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cavatina (Arr. for Guitar by John Williams)\" width=\"1290\" height=\"968\" src=\"https:\/\/www.youtube.com\/embed\/5ZeWt8J3WNw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Several are pieces that will be familiar to most classical guitar lovers (even though many derive from keyboard works), such as Erik Satie\u2019s \u201cGymnop\u00e9die No. 1\u201d and \u201cGnossienne No. 1,\u201d Claude Debussy\u2019s \u201cClair de lune,\u201d and \u201cLa Fille aux cheveux de lin,\u201d as well as Baroque works from Fran\u00e7ois Couperin, Silvius Leopold Weiss, and Domenico Scarlatti. There are plenty of late-20th century pieces as well, including Cuban composer Leo Brouwer\u2019s lovely \u201cCanci\u00f3n de Cuna,\u201d Philip Glass\u2019 \u201cOrph\u00e9e\u2019s Bedroom,\u201d Stanley Myers\u2019 beloved \u201cCavatina,\u201d and Max Richter\u2019s sumptuous piano work \u201cA Catalogue of Afternoons.\u201d&nbsp;<\/p>\n\n\n\n<p>It really isn\u2019t until the final piece on the album, Ryuichi Sakamoto\u2019s \u201cMerry Christmas, Mr. Lawrence\u201d (from the 1983 film of that name starring David Bowie), that S\u00e1inz-Villegas pushes the \u201cblue\u201d mood into new territory\u2014the tune\u2019s aggressive ending feels slightly out of place; a jarring wakeup from the dreamlike drift of most of what precedes it. Be that as it may, this album is still an intriguing, often meditative sonic journey from beginning to end\u2014a great place to lose (or find!) yourself for an hour. &nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These 14 pieces share a serene, mysterious, contemplative quality that&#8217;s both compelling and pleasantly mind-opening.<\/p>\n","protected":false},"author":7,"featured_media":142542,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"These 14 pieces share a serene, mysterious, contemplative quality that's both compelling and pleasantly mind-opening.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[885],"tags":[],"ppma_author":[1539],"class_list":["post-142540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/11\/Pablo-Sainz-Villegas-photo_Lisa-Mazzuco.jpg?fit=750%2C500&ssl=1","authors":[{"term_id":1539,"user_id":7,"is_guest":0,"slug":"blairstringletter-com","display_name":"Blair Jackson","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png"},"user_url":"","last_name":"Jackson","first_name":"Blair","job_title":"","description":"Blair Jackson is the author of the definitive biography <i>Garcia: An American Life<\/i> and was senior editor at <i>Acoustic Guitar<\/i> before retiring in 2023."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/142540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=142540"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/142540\/revisions"}],"predecessor-version":[{"id":142576,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/142540\/revisions\/142576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/142542"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=142540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=142540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=142540"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=142540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}