{"id":141751,"date":"2023-09-24T06:00:00","date_gmt":"2023-09-24T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=141751"},"modified":"2023-09-21T12:30:22","modified_gmt":"2023-09-21T19:30:22","slug":"review-molly-tuttle-city-of-gold","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/review-molly-tuttle-city-of-gold\/","title":{"rendered":"Review: Molly Tuttle Leans into Her Flatpicking Roots on the Brilliant \u2018City of Gold\u2019"},"content":{"rendered":"\n<p>It\u2019s been a steady upward climb for 30-year-old acoustic guitar phenom <a href=\"https:\/\/acousticguitar.com\/video-lesson-molly-tuttle-breaks-down-her-deft-right-hand-techniques\/\" data-type=\"link\" data-id=\"https:\/\/acousticguitar.com\/video-lesson-molly-tuttle-breaks-down-her-deft-right-hand-techniques\/\" target=\"_blank\" rel=\"noreferrer noopener\">Molly Tuttle<\/a>. The accolades came early: Back in 2017, Tuttle won the International Bluegrass Association\u2019s Guitar Player of the Year Award (amazingly, the first woman to do so). She repeated as winner the following year. Over time she\u2019s collaborated with many of the finest players in the bluegrass world, established herself as a formidable songwriter and emotive singer, and put out a series of excellent studio recordings.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/amzn.to\/3ZjbTo2\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"750\" height=\"750\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle-and-Golden-Highway-City-of-Gold-UP.jpg?resize=750%2C750&#038;ssl=1\" alt=\"Molly Tuttle and Golden Highway, City of Gold album cover\" class=\"wp-image-141753\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle-and-Golden-Highway-City-of-Gold-UP.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle-and-Golden-Highway-City-of-Gold-UP.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle-and-Golden-Highway-City-of-Gold-UP.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle-and-Golden-Highway-City-of-Gold-UP.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Molly Tuttle and Golden Highway, <\/em><a href=\"https:\/\/amzn.to\/3ZjbTo2\">City of Gold <\/a><em>(Nonesuch Records)<\/em><\/figcaption><\/figure>\n\n\n\n<p>It was Tuttle\u2019s 2022 release <em><a href=\"https:\/\/amzn.to\/467VIfx\">Crooked Tree<\/a><\/em>\u2014her first with her bluegrass group, Golden Highway, along with such notable guests as Billy Strings, Margo Price, and Gillian Welch\u2014that launched her career into the bluegrass stratosphere. That record won the Best Bluegrass Album category at the 65th annual Grammy Awards in February 2023, and Tuttle was also among the ten nominees for Best New Artist\u2014the only acoustic\/country performer. It was also named Album of the Year at the 2023 International Folk Music Awards.&nbsp;<\/p>\n\n\n\n<p>Molly Tuttle and Golden Highway\u2019s second Nonesuch album, <em><a href=\"https:\/\/amzn.to\/3ZjbTo2\">City of Gold<\/a><\/em>, was released at the end of July 2023, and it may very well eclipse the unexpected success of its predecessor. It certainly deserves to: In my view it\u2019s a stronger record in every way. The album, with producer Jerry Douglas once again at the helm along with Tuttle, was recorded in Nashville after Tuttle and Golden Highway had a year of touring together under their belts, so it really feels like more of a group effort than <em>Crooked Tree<\/em>. The mysterious\u2014and essential\u2014telepathy that is a characteristic of the finest bluegrass bands is very much on display throughout <em>City of Gold<\/em>, as Tuttle, fiddler Bronwyn Keith-Hynes, mandolin master Dominick Leslie, bassist Shelby Means, and banjo ace Kyle Tuttle (no relation) mesh beautifully, playing together as a flawless unit, singing perfect harmonies, and effortlessly passing the baton around for short, virtuosic solo bursts. Douglas adds his always-welcome dobro touch to three of the tunes, Dave Matthews sounds fantastic on a vocal duet with Tuttle (\u201cYosemite\u201d), and Jordan Perlson plays drums on \u201cNext Rodeo,\u201d an ode to \u201ctearing up the road with a five-piece band.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Molly Tuttle &amp; Golden Highway - San Joaquin (Studio Video)\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/5GcLnpGsgMI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>As great as the singing and playing is on this album, it\u2019s really the strength of the songwriting that makes <em>City of Gold<\/em> so compelling. All 13 songs were written by Tuttle and Ketch Secor, the multi-instrumentalist co-founder of Old Crow Medicine Show, who also co-wrote 10 of the 13 songs on <em>Crooked Tree<\/em>. Musically, the album doesn\u2019t stray far from traditional bluegrass and old-time music tropes\u2014your basic barnburners, waltzes, folkish blues, and moving ballads. But lyrically, the songs are all over the place: \u201cEl Dorado\u201d is a vivid slice of history told by \u201cGold Rush Kate from the Golden State\/ With a nugget around my neck\u201d; \u201cYosemite\u201d paints a picture of a rocky relationship that falls apart on a road trip; the breathless \u201cSan Joaquin\u201d twists a traditional train anthem into a song about pot smuggling; \u201cAlice in the Bluegrass\u201d cleverly recasts a familiar Lewis Carroll episode in a \u201cbackwoods wonderland\u201d; the dark \u201cGoodbye Mary\u201d seems to be a haunting tale about a doomed pregnancy; and the album-closing \u201cThe First Time I Fell in Love\u201d is a charming slice of Tuttle autobiography, with a twist on the title I won\u2019t spoil.<\/p>\n\n\n\n<p>I suppose I\u2019ll have to wait for a live album down the road or jump onto YouTube to hear Tuttle really cut loose on guitar for extended passages. But there\u2019s still plenty of flash and substance to absorb and devour here in Tuttle\u2019s economical playing on two <a href=\"https:\/\/acousticguitar.com\/gear-review-pre-war-guitars-model-hd\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pre-War dreadnoughts<\/a>\u2014one Brazilian rosewood and the other mahogany\u2014as well as an Indian rosewood Huss and Dalton OM. <\/p>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-343-november-december-2023\" name=\"magazine\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/08\/001_343_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 343\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-343-november-december-2023\">November\/December 2023<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The group&#8217;s sophomore album may very well eclipse the unexpected success of its predecessor.<\/p>\n","protected":false},"author":7,"featured_media":141755,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The group's sophomore album may very well eclipse the unexpected success of its predecessor.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[885],"tags":[1930],"ppma_author":[1539],"class_list":["post-141751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-november-december-2023"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/09\/Molly-Tuttle.jpg?fit=750%2C498&ssl=1","authors":[{"term_id":1539,"user_id":7,"is_guest":0,"slug":"blairstringletter-com","display_name":"Blair Jackson","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png"},"user_url":"","last_name":"Jackson","first_name":"Blair","job_title":"","description":"Blair Jackson is the author of the definitive biography <i>Garcia: An American Life<\/i> and was senior editor at <i>Acoustic Guitar<\/i> before retiring in 2023."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=141751"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141751\/revisions"}],"predecessor-version":[{"id":142086,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/141751\/revisions\/142086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/141755"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=141751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=141751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=141751"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=141751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}